- #Always something there to remind me original plus#
- #Always something there to remind me original free#
They had a special thing, and all wanted the same result-a hit." Of course, they earned many such hits, including the songs re-recorded for Now, including "Don't Make Me Over," Reach Out for Me" (No. There was mutual respect between Burt, Dionne and Hal. Instead, he'd just turn around after a take, and I would either give a thumbs-up or indicate we needed another one.Despite what you read, Burt wasn't tough on Dionne. When he trusted me, he'd stop coming in from the studio area to discuss things. He told journalist Marc Myers in 2010, "Eventually, I became Burt's hearing frame in the control room. A close ally of Bacharach's, Ramone also engineered the original Broadway Cast Recording of Bacharach and David's Promises, Promises, and intuitively shaped the sound of those hit records with the artist and the songwriters/producers. A 33-time Grammy Award nominee with 14 trophies under his belt, Ramone was an engineer on a number of Warwick's 1960s hits recorded at his own A&R Studios in New York City. Now is set apart from past remake projects (including 1998's Dionne Sings Dionne and 2006's duets album My Friends and Me) by the presence of Phil Ramone in the producer's chair.
#Always something there to remind me original plus#
The twelve-track album features new recordings of eight Warwick/Bacharach/David favorites, plus four songs never before performed by the singer. Although this isn't a catalogue release per se, its retrospective nature hopefully makes it a prime candidate for coverage here at The Second Disc! The album, too, shall stand as a tribute to David, who passed away on September 1 at the age of 91. Many of those classics, of course, were penned and produced by the other two members of her "triangle marriage," Bacharach and David, and so it's fitting that she's returning to their catalogues for Now. 5 R&B, setting Warwick on a course that would see her place more than 50 singles on the Billboard Hot 100 between 19. Now is a celebration of Warwick's 50 years in music, looking back on a solo career that began in 1962 with Burt Bacharach and Hal David's "Don't Make Me Over." That song soared to No. ’cause there is always something there to remind me.Were there a competition to crown Most Striking Album Cover of 2012, Dionne Warwick might win it hands-down for the image adorning Now, the singer's new album due on October 30 internationally and November 6 in North America.
#Always something there to remind me original free#
I was born to love her, and I’ll never be free Just go back to the places where we used to go, and I’ll be there If you should find you miss the sweet and tender love we used to share. I was born to love her, and I’ll never be free. When there is always something there to remind me.Īs shadows fall, I pass a small cafe where we would dance at night.Īnd I can’t help recalling how it how it felt to kiss and hold you tight I walk along the city streets you used to walk along with me,Īnd every step I take reminds me of just how we used to be. This song, in this form, is just perfect.Īs for Naked Eyes… the surviving member is still recording under that name and has an album due out next year (the band’s second album of new material since 1984). Fascinating.īut damn it if that’s not a formula for success. So once upon a time, all you needed to do in order to enjoy a fair amount of fame and fortune was dig up a 20-year old pop song, give it a synth-and-drum makeover and pair it up with a cheesy video. Today’s SOTD sounds a lot different sung by Dionne Warwick, let me tell you. Similarly, I never knew that Naked Eyes’ major hit ‘Always Something There to Remind Me,’ was written by Burt Bacharach and Hal David. No wonder Soft Cell didn’t go on to greater things… they weren’t even responsible for the one hit they did have!
Soft Cell’s ‘Tainted Love,’ for example, was first recorded as a B-side by Gloria Jones in 1965. Recently I realized that at least a few of the one-hit wonders I’ve always assumed were original composition were in fact covers of old pop standards. I’ve always wondered why one-hit wonders, if they’re capable of writing and recording a song worthy of hit status, aren’t able to keep it up? Do some bands really just have one good song in them? That doesn’t make sense.
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